Oxford University Press, USA (2009)ĭi Liscia, O.P. (ed.) The Oxford Handbook of Computer Music. Oscformat makes OSC (Open Sound Control) packets (byte by byte) suitable for sending over the network via netsend (in UDP binary mode). Paine, G.: Gesture and morphology in laptop music. Peters, D., Eckel, G., Dorschel, A.: Bodily Expression in Electronic Music – Perspectives on Reclaiming Performativity. In: Actas de la Décima Semana de la Música y la Musicología, UCA, Argentina (2013) (ed.) Proceedings of the International Computer Music Conference, The Hague, Computer Music Association (1986)Īnache, D.: El Rol del Intérprete en la Música Electrónica - Estado de la Cuestión. I'm currently using it to communicate between Processing and Purr Data. Truax, B.: Real-time granular synthesis with the DMX-1000. You should check out Open Sound Control protocol (OSC), most audio programs today are compatible with it and it's much cleaner and wider than MIDI protocol for this kind of thing. Im currently using it to communicate between Processing and Purr Data. Gabor, D.: Acoustical Quanta and the Theory of Hearing. You should check out Open Sound Control protocol (OSC), most audio programs today are compatible with it and its much cleaner and wider than MIDI protocol for this kind of thing. The present status of that interplay (software + hardware) is a work-in-progress advance of the author doctoral thesis. In this lesson, sending OSC messages to iPhone application, touchOSC. Video tutorials on Pure Data (Pd) with Dr. This connection between software and hardware intends to reach expressive computer music sounds, with the performer’s body imprints. PURE DATA: 25 Open Sound Control, Part 3. Gray Area Creative Code Immersive // Sound & Interaction with Pure Data // Instructor. Windows version at: ) external object as its local interface. The instrument named mGIL (my_Grainer’s Instrument for Leap) uses the my_grainer (Developed by Pablo Di Liscia, available at: /Members/pdiliscia/grainer.) PD’s external object as its GS (granular synthesis) engine and leapmotion (leapmotion external developed by Chikashi Miyama. ( ) for being controlled by Leap Motion ( ), a computer hardware sensor that converts hands and fingers motion into simple data, ready for end-user software inputs. This paper documents the development of a granular synthesis instrument programmed on PD ( Pure Data, Miller Puckette et al.
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